Food, Wine, Good (and Evil) Spirits

Last Sunday evening, in an apartment on the Upper West Side, I turned off the burner, dropped a knob of butter into the pan, and swirled it into the red wine, caramelized shallots, chicken stock, and filet drippings. This is my favorite moment in cooking. It’s called “mounting” (a great technique deserves a great name) and is the final thickening of a sauce by adding butter.

Everything becomes richer at that point. Every taste becomes a million times more delicious. It’s magic. I held my breath as I plated the roasted rosemary potatoes, sugar snap peas/ snow peas/ pea shoots in lemon sauté, beef tenderloin, and spooned the sauce on top. These were new clients I was cooking for and, yes, I still get nervous.

I was suddenly transported back to a client I hadn’t thought of in years. He was some bigwig but not famous producer whose name I don’t recall. It must have been a decade ago in Beverly Hills. I had just made the decision to leave the acting profession and pursue a career in the cooking industry. I had been cooking off and on for years but never really thought of myself as a chef. This was that moment of leaping and hoping a net would appear. I enrolled in a cooking school to make sure I knew what I was talking about and started working professionally about a month after class had begun. Thank you, net.

“He would like for you to come in next Tuesday to cook his dinner. This will be a test run. He’s been through a lot of chefs.” The client’s personal assistant had found my name and number through another chef, Monica, that I worked with in a busy Los Angeles catering company. Monica had tried and failed to satisfy him – a fact which terrified me, as she was much more experienced than I. She had said one thing to me, “He has a very rich appetite. Be prepared for anything.” I didn’t know if that meant he was wealthy or liked fattening things, so I assumed both were true.

My father's singular obsession with noble limestone permeates every discussion of our wines. He purchased our vineyard land only once he discovered it lies on a 300 foot deep slab of the white, porous rock. Because we are so proud of Limestone’s mineral, high acid effect on the wines, we seldom discuss the thin layer of dirt above.

The Stolpman estate vineyard's clay topsoil is light gray when dry and becomes a sticky mud when wet. Many 2×4 cars have fallen victim to the wet clay, even on our hard-packed roads. Boots become several pounds heavier with mud stuck like bricks in the treads.

That’s the very beauty of clay in our perpetual California drought: it retains moisture. This year, as we look at the driest winter thus far in our vineyard’s history; we are thankful to have clay. As we drip water on the ground through our irrigation hoses, we mimic normal rainfall, allowing the clay to become saturated. Like a year of normal rain fall, when we hope to get 12 inches, we won’t irrigate after set. Set describes the transition when the vines’ tiny flowers become “.” sized grapes.

By cutting water at set, we are ensuring that the plant will still have to fight through the summer to ripen tiny concentrated grapes, undiluted by irrigation. In a drought year like 2014, this is our new definition of dry farming.

Marylou’s was a New York restaurant that closed in 2001, but in its day was a real gem. Located in a brownstone in the West Village, the restaurant’s great food and atmosphere attracted a list of celebrities that included Jack Nicholson. Co-owner Tommy Baratta, Marylou’s brother, not only became good friends with Nicholson, but became his personal chef as well – and wrote a cookbook with Marylou titled Cooking for Jack.

My most vivid recollection of Marylou’s takes me back to 1986. I was having dinner with a woman whose raven hair was in perfect contrast to her radiant smile, when Jerzy Kosinski approached our table. His intent was not to dazzle us with his fame nor with a story, but, instead, with a series of photographs.

My tea of choice is neither herbal nor green, but classic black tea. While I can be quite content with a cup of Lipton’s, my preference is for the English brand PG Tips, a strong black tea in a pyramid shaped bag.

I’m thrilled when I can find a box of 80 in LA for $6 or 7.5¢ a bag, but on my trip to London last month, I found a classic BQ Bang for the Buck that ensures I’m going to enjoy great iced tea all summer long…and hot mugs through the fall and winter too:

At Marks & Spencer, 80 PG Tips were £2.49, which is $3.86 or 4.8¢ a bag.