I’ve been simultaneously watching the HBO version of Mildred Pierce, directed and co-written by Todd Haynes, and reading Gabrielle Hamilton’s culinary memoir, "Blood, Bones & Butter", which probably isn’t a fair (food) fight. Hamilton’s prose is as “luminous” (her word) as the parties she describes, even when she takes on the blood, bones, and hard knocks that brought her to where she is today: chef/owner of the Manhattan restaurant Prune.
Mildred Pierce (Kate Winslet) has her own restaurant, too. It’s called Mildred’s, and the menu consists of fried chicken, biscuits and a side of waffles or vegetables. There’s also pie, lots of it, and once Prohibition ends, as it did in Part III, there’s plenty of hard liquor as well, to wash down all that pie. Monte, Mildred’s playboy lover, calls the restaurant the pie wagon—just one example of his disdain for Mildred. Audiences may not mind, however, that Monte is a loathsome cad; after all, he’s played by Guy Pearce, a luminous presence here. The only other luminous presence in Part 3, besides Pearce’s Monte, was the dress Mildred wore to break up with him—it shimmered the way Joan Crawford’s anger and obsession shimmered in the 1945 film version directed by Michael Curtiz.

Long before 

