I am fairly catholic in my choice of reading material; in a pinch I will read whatever is lying around. At summer houses, and in insomniac wanderings in my own house I have read everything from Zane Grey to Boethius, and I actually like things like YA series fiction and “cozy” mysteries. Historically, I have drawn only one line in the sand: I will not, under any circumstances, read a romance novel. I can swallow chick lit, although I don’t like it much, and I delight in a love story woven among the threads of a great novel, but I find the mechanical, predictable storylines and ridiculously overblown language of the average Harlequin to be unpalatable. I know that many women love them, and that’s great. My share may be distributed among all of them, neatly decreasing my suffering and increasing their joy.
Because my reading glasses are broken, and because I was reading books downloaded onto the Kindle on my iPhone, I accidentally bought a kind of supernatural bodice ripper the other night. I swear there were no identifying marks, and that it seemed to be just $2.99 worth of entertainment involving covens, fireballs and demons. (I told you I’d read almost anything). Had I bought this title in a bricks and mortar bookstore, an unlikely proposition since this is a “work” of the type that thrives only in the forgiving universe of e-books, I would have been warned off by a cover featuring a busty woman with her head tipped back in ecstasy, her long hair blowing back as she offered her neck to the cleft-chinned hunk about to kiss her…somewhere. As it was, I went in blind. Literally and figuratively.

On the surface, the Penn State scandal would seem to be another example of an institution of trust failing in its moral obligation to protect children. In fact, what the tragic web of human actions and inactions behind this outrage really shows us is that child sexual abuse is close to the perfect crime.
When I was a younger man, I was quite the spendthrift blowing through tons of money that I didn't actually have. Like many others of my generation, I lived way beyond my means on a series of credit cards that I would repeatedly max out the credit limits on and end up slaving away, some times for years, in an effort to pay off. When I first moved to New York in the late 80s to attend the NYU publishing program, I did so with visions of Jay McInerney's Bright Lights, Big City dancing in my head. I eventually landed a job at Random House and wasn't daunted by the fact that it only paid $13,000 a year because in my mind I was on my way to living the life I had always dreamt about.
I never expected to visit Dijon. But on my first trip to France, I asked
my Parisian friends for suggestions for where to go and they said Dijon
and nearby Beaune, so off I went. The historic capital of Burgundy,
Dijon is a dramatic looking city with lots to do and see. It has many
museums, churches, medieval buildings with gargoyles and stunning
geometrically patterned roofs of green, white, yellow, black and terra
cotta ceramic tiles.
There’s a reason I don’t work in an office any more. It’s called October. Something to do with the sun on my face and the warm breeze at my back as I hike through the swaying grasses and the prickly scrub across the stone-splattered fields behind my house. Up to the spent cornfield I go, watching a thousand geese lift off in unison, honking like so many commuters in Time Square at 5 o’clock. Only it’s not Time Square or I-95 or even somewhere that has stoplights. It’s West Tisbury, where more of my neighbors are sheep than people.