Love

My mother had a way of inventing traditions.  “It’s Lizzie’s birthday!” she’d proclaim periodically and everyone in the family would don a party hat and sing happy birthday to one of our English Springer Spaniels.  The announcement of the dog’s birth and subsequent celebration of it could occur at any time – on April 5, say, or December 12.  It could happen twice a year or once every few years.  But however haphazard, it became a tradition. 

Every so often, we’d gather in the living room; my father on the bongo drums someone had given him for a birthday present, my sister on her recorder, me banging the big copper-bottomed soup pot with a wooden spoon, and my mother on piano, playing from our “American Folk Songs For Piano” songbook.  “Love oh love oh careless love,” she’d sing, entirely off-key, “Love oh love oh careless love, love oh love oh careless love, see what love has done to me.”

Sure it's a cliche, but Paris really is a tremendously romantic city. The grand brasseries like the art nouveau Bofinger or the art deco La Coupole don't just transport you to another place, but another time. They are joyful places where you want to be extravagant and order bottles of wine and big platters of seafood. When I think about my time in Paris with my husband-to-be at the time, I remember the feeling of indulgence and even decadence as if nothing beyond those gilded dining rooms mattered at all. And I remember the seafood, those big multi-tiered platters brimming with oysters, clams and lobster.

Anyone who has been through it will tell you, getting married is not nearly as stressful as the wedding itself. The relatives, the seating charts, the guest list, the cost. Oh I could go on and on. But I won't. Instead I'll tell you about the night before I got married. After weeks of handling last minute details, celebrating a birthday, entertaining and seeing to the needs of out-of-town guests and relatives, it felt like the night before our wedding was the first moment we had alone in ages.

In the French family, we sleep under quilts. Even when a duvet is involved, a quilt absolutely must lie atop it. We are used to the weight of them, and among the five of us, own around three dozen. Each one of these was handmade, stitch-by-stitch, by my mother. To get an idea of the scope of this, she quilts daily, and a single quilt takes over a year to complete. She does not believe in idle hands, or more precisely, cannot relate to them. Last year I found a melon-sized rubber band ball sitting on her desk, held it up to my brother and asked, simply, “Why?” “Because,” he said, “It’s what she does. She makes things.”

My whole life I have slept under one or another of my mother’s quilts, some of which were blue ribbon winners in the Bishop County fair. I dragged them to boarding school in Canada, college in Scotland, then Boston, and back to California again. During a Laura Ingalls Wilder phase, I began to pretend I was huddled up beneath one on the back of a covered wagon. I still like to imagine this when I can’t fall asleep.

I love chocolate.  I have always loved chocolate.  I have lived my life by the principle,  So much chocolate, so little time.  The expansiveness of my love of chocolate is such that it would be impossible for me to name a favorite – it would be like asking me to pick a favorite among my children. (Or maybe not exactly like that; after all, I only have one child). 

On the other hand, if you asked me to name three of my favorite chocolate moments: Life begins with Hershey's kisses and chocolate bars, in my case, Nestle's Crunch, Three Musketeers, Milky Way, Cup-O-Gold (a chocolate shell with embedded cocoanut, filled with a gooey white cream that was supposedly marshmallow but tasted like the residue of some lab experiment gone terribly wrong) and, most significantly, the Mounds Bar.