Trips to New York City have become scarce over the years. (Maybe non-existent is a better description.)
I don't have family, friends or business in New York. All past trips have been purely hedonistic, with food always at the top of my list.
I visit all the tourist traps. I can't help it. I am a tourist when I'm there, a downtown poser in every sense of the word. Every trip has consisted of visits to the Empire State Building, Tavern on the Green, a carriage ride through Central Park and Serendipity 3.
Serendipity 3 reminds of a place you would celebrate your sweet sixteen. A glorified malt shop with faux Tiffany lamps, long lines, marginal service and so-so food. However, they won't let you make a reservation for just dessert...you have to eat a meal. So we would eat....just to get dessert.
There is only one reason I patronized Serendipity 3...for the Frozen Hot Chocolate. It's out of this world.
New York
New York
Kyotofu Dessert Bar
OK fine. I'll admit it. I'm the person who studies the menu online before going out to eat. I devour every edible word and let the taste bud anticipation work its magic.
The moment I knew I would be meeting up with a friend at Kyotofu, a Japanese dessert bar in NYC, I quickly jumped over to their site to take a peek at their online menu of tea infused sweets. Within seconds the matcha green tea crème brûlée had my heart skipping a beat.
Although when the plate met the table, the ginger/pear sorbet seemed to steal the show. Let me just say that they were a harmonious pair. As I broke through the delicate, caramelized top layer, a vibrantly bright green mini pot of matcha creme stood before me.
The richness of the matcha creamy treat was balanced by the airy, refreshing bites of ginger, pear. Matcha crème brûlée was a down comforter on a chilly winter night, while the ginger/pear sorbet was linen on a summer afternoon.
Tiffin Wallah
I first fell in love with Indian food while working at a company in
West Hollywood and my boss, who was a true asshole with excellent taste
in food, always ordered lunches from Anarkali. I would drive to pick
up the large order for practically everyone in the office, and savored
the few minutes I spent inside there while waiting for the food.
Anarkali's low ceilings and uber-decorative booths offered a sweet
escape from my days at work. And they always gave me free beer, which
I would give to the head of the company because I was still 18 and not quite ready to drink on the job.
The array of foods on the table in the center of the office would bring everyone together and I slipped in and out of taste bud sensations. I had never liked Indian food, until Anarkali. Then I started eating it all the time. It worked perfectly for my family because now they didn't have to wait until I wasn't home for dinner before ordering Indian. I still remember the styrofoam platters (a rare allowance for my mother) lined up across the kitchen counter as everyone served themselves buffet style.
The Bar Room at The Modern: Not Just Any Cafe
My friend, Barbara and I were escaping the icy tundra of Maine for a long weekend in New York City to indulge in great food, theater and art.
We started our Sunday morning at the MOMA as the doors opened. Up to the fifth floor we flew. As I walked into the first gallery I was overcome with the ‘scent’ of a museum. I love that smell. My soul was being ‘refilled’. I was free floating in art heaven when I noticed Barbara looking at her watch so we wouldn’t be late for the lunch reservations she made. I looked the other way and thought about disappearing into the crowd. We had 2 more floors when it was time to go. I thought, today lunch is such an interruption.
Our greeting from the Maitre D’ was warm, friendly and he was impeccably attired. He led us to a nice table with a stellar view of the printed glass mural by Thomas Demand, Clearing II. I was concerned that only two tables were occupied-why was this not a popular place? At that point, I had no idea there was a restaurant worthy of a Michelin star in the MOMA and we had lunch reservations at it. Yes, it was the Bar Room at The Modern. I hadn’t asked a single question about our Sunday reservations. A simple, quick lunch and back to exploring two more floors of art was exciting enough for me.
Capizzi
I’ve been in rehearsal this week for a reading we’re doing on Friday. It’s a fun piece called “Old Jews Telling Jokes” based on the website of the same name. All this is to say that this week I’m a working man, a nine-to-fiver, so bye-bye to my indolent life. No time now for shopping at Eataly after my caffé macchiato with the crossword puzzle; no time for noodling away at the stove in the afternoon, sautéing pretty vegetables for Jill’s dinner while hooked up to a Sangiovese drip. No. I’m a working man. Punch that clock.
But today I fell into one of those time warps that New York offers up when you have no particular place to go. I’m on my break; it’s drizzling; I have an hour to kill. Our rehearsal hall is on Eighth Avenue in the high Thirties – a bit of garment district, a bit of spillover from Forty-Second Street — tons of places to eat and not one of them calling me. I walk in the rain over to Ninth Avenue, which never lets me down. Ninth Avenue is a Baghdad bazaar — good, bad and everything in the middle. I love Ninth Avenue. I walk past this little place with a menu board out front. It’s called Capizzi, a little joint, sitting in the shadow of the Port Authority bus terminal. It’s essentially empty, some people at a table in the back – maybe it’s the staff having their lunch. It’s 4:00 in the afternoon – the rush was over. But there’s something; I walk by it three times; there’s something about this place.
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