Christmas

thinkgreenplainwreath.jpgMost always, I find nature as my inspiration for arrangements and décor, thus green becomes my “MO” for all things fresh, natural, and beautiful. Green is nature’s neutral – found in different hues and shades in every wood, vale, forest and dale! Here are a few tips on “thinking green” for the Holidays and year round decorating as well!

I always like to have a green base to build from when making an arrangement, tablescapes, or even holiday décor. Choose your greenery wisely – it will be your support and skeleton, your contrasting tone, and your “roux” that brings the arrangement together.

Use what is in seasonfor the Holidays, I like the traditional greens like holly, boxwood, cypress, cedar, and magnolia. Add some pizzazz by contrasting shades of green like the dark of the holly and magnolia (use those velvety brown backs as well), lighter green from cypress and blue greens from cedar or junipers.

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red_present_box_wrapped.jpgWhen I was a kid, say about 7 or 8, my dad brought home a holiday gift that was emblematic of his personality: Frankenstein’s monster, a foot high, standing on a metal pedestal, dressed all in black with a large flat chalk green plastic head, decorated with bumpy zigzag cherry red scars. His black gash of a mouth spread across his face in a faint smile. The best part about this Frankenstein was the little switch on his back. At my father’s insistence, I pushed that switch and the monster, arms outstretched, started to shimmy back and forth and side to side. Then just as suddenly, my sister and I could hear a little grinding sound and click, off slid his pants. There he was, Frankenstein’s monster, no longer shimmying, just standing on his pedestal in red and white striped boxers. That faint smile of his now revealed a slight insouciance. Our gleeful giggles were overpowered by my father’s healthy, if sinister, chortle. To this day I am still not sure whether he loved the toy or our reaction to it. Knowing him, though, my money’s on the toy.

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french_cooking_sm.jpgI grew up singing Bach hymns before dinner.  We were all terrible singers, but it didn’t matter:  my mother trained us to sing in parts.  Children, adults and even teenage boys would toil our way through “Now Thank We All Our God.”  My mother wasn’t interested in musical quality, but in the virtues of complexity and genius.     

My mother, Carol Bly, is a writer, and it was always enormously clear to us that the focus of her passionate life was her study – no June Cleaver, she merely tolerated the kitchen.  She had started her married life with no knowledge of cooking whatsoever, doggedly making her way through The Joy of Cooking, which combined the dubious pleasures of simplicity with – well – simplicity.  She made the Joy’s recipes a bit more complex by eschewing white sugar and white flour and sprinkling wheat germ where possible.  The goal was not an aesthetic one, any more than our Bach choral performances were.

But during Christmas she would put aside her battered Joy of Cooking and take out that homage to fine cuisine, Julia Child’s 1967 Mastering the Art of French Cooking.  She had the same two-volume set as did Julie Powell’s mother, with a cover, in Powell’s description, “spangled with tomato-colored fleurs-de-lys.”  In Julie & Julia, Powell calls the recipes “incantatory.”  They were that, and fiendishly difficult too.  Perfect, from my mother’s point-of-view, for important days.  For a normal dinner, we might eat spaghetti, but Christmas had to be marked by true effort and a gesture toward culinary genius.  

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blizzard.jpgOn December 24th, 1963, Philadelphia was hit with a rip-roaring blizzard.  I’ll never forget it.  By evening, the drifts were well past knee-high.  Snowflakes swirled in the halos of streetlights.  Driving anywhere was out of the question.  Wrapped up in coats, boots, gloves, hats and scarves, and loaded down with bags of presents, my girlfriend Bonnie, my mother and I set out on foot for Aunt Tilda’s house.  What would have been a 7-minute drive turned into an hour trek.   I remember laughing so hard we could hardly walk.  We knew we were crazy to be slogging through such a storm, but we were determined to reach our destination.  It was Christmas Eve, and Aunt Tilda had prepared the traditional Italian Feast of Seven Fishes.

Tilda’s house was decorated to the rafters.  Twinkling lights outlined every window.  Tiny red and green Christmas balls hung from each curtain ruffle.  Swags of tinsel garland draped the mirrors.  The huge tree was covered with hundreds of ornaments she had been collecting for decades.  At its top perched a gossamer angel.  And beneath its bedecked branches, nestled the white and gold 30-piece Nativity set that Tilda had stayed up into the wee hours painting on many a sweltering summer night.

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hanukkah.jpgIt’s not easy being Jewish during the Christmas season, especially if you’re a kid. Chanukah is great, don’t get me wrong. Presents for eight nights in a row. Lighting the candles and watching them flicker in the menorah until they gradually fade away. And I’m a big fan of the latke. But compared to Christmas? Really?

Imagine, then, what my son Luke had to contend with, growing up Jewish and having an older brother who got to celebrate Chanukah and Christmas while he celebrated only the Festival of Lights. And it was all my fault. I married a non-Jew, had a son with him and got divorced. Then I met my true love (Luke’s father) and created our modern nuclear family. Three Jews and a mixed-breed (sorry, Craig), who marched in a Christmas pageant at his father’s church wearing the robe of a king – the same year he was deep in preparation for his bar mitzvah. Holiday time in our household was always a bit fraught.

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