Working for a food magazine, your life pretty much revolves around eating and drinking. Not as much as people might think, but more than the average person in America. I am more of an oenophile than a foodie, but I know great food when I taste it. It’s food that lingers in your imagination for days after the experience and that you just can’t seem to stop telling other people about. Flavors that come right back to you, when you think about THAT bite and how surprisingly delicious it was. It doesn’t have to be fancy to be memorable, but true culinary genius is, like most talents, not a common thing - the theme of this sweet and sumptuous little film.
Sure it has big backers behind the scenes - anyone heard of Oprah and Spielberg? - but the story of a young Indian chef on his path of culinary self-discovery is simple, funny and heartfelt and will leave you hungry for more. Forced by tragedy to leave India, Hassan Kadam and his family find themselves in the small village of Saint-Antonin-Noble-Val in the south of France. The locals don’t know what to make of the family and they certainly are not necessarily lining up to enjoy their Indian cuisine, but the family refuses to give up and slowly begins to make headway in the village.
Though he has no formal training Hassan, who learned everything he knows about taste and spices from his mother, is made the chef of the family restaurant, Maison Mumbai. The family’s loud and ethnic presence makes their direct neighbor Madame Mallory, the chef/owner of a Michelin-starred restaurant Le Saule Pleureur, very, very unhappy. What ensues for the first half of the film is a comic War of the Roses with both sides trying to make the others’ lives miserable, while gaining business for themselves.