A Celebration of Chefs

This year, in our house, we're cooking our version of Suzanne Goin's succotash.  Of course, Suzanne Goin doesn't call it succotash; in her book Sunday Suppers at Luques, she calls it sweet corn, green cabbage and bacon.  We call it succotash because we throw in some lima beans and way more butter:

Cut 6 thick slices of bacon into small pieces and cook in a casserole until crispy.   Remove and drain.   Melt 1 stick of butter in the remaining bacon grease and add 1 sliced onion and some salt and pepper.   Saute for a few minutes, then add half a small green cabbage, sliced, and cook until wilted.   Add 2 packages of cooked frozen lima beans and 2 packages of frozen corn.   Cook about 5 minutes, stirring, till the corn is done.   You can do this in advance.   Reheat gently and add the bacon bits.   (Of course you might be able to get fresh corn, in which case feel free to overreach.) 

 

- Recipe courtesy of Nora Ephron

 

VICTORY!  SUCCES FACILE!  VITTORIA TOTALE!

shallots-2.jpgOh those personal chefs of Palm Beach – those white jacketed, croc-shod, Bluetooth-eared, clubby bunch that troll the aisles of our local supermarket! Is it simple envy that knowing they wield a knife better than I that has made me feel less than human as I wheel my cart past them? Probably. But, today there was victory!  Today, There was Deliverance! Equality – nay – Superiority! (They don’t have to know I usually cut my finger when I cut a bagel – and you don’t have to tell them!)

I am shopping for an intimate Moules Provençale dinner, and I am in a snit trying to find the shallots.  I humbly ask one of “them” if he knew where they stocked the shallots.  After a delicious amount of time wasted as he poked about the onions and garlic, we simultaneously found them among the potatoes.  “Thank you.”

Later he sought me out.  “I noticed you were buying shallots.  You must be a serious cook.”  (Excuse me, that is all it takes for a woman to appear ‘serious’ in Palm Beach!)

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Dear Chefs, kitchen staff, servers, and everyone who fed me in 2011;

picture-1.jpgI write to thank you for the wonderful memories, the delicious moments, and the extra calories this year. All well worth it and ready for more in 2012.


Chef Zarate, Picca Peru
Una cena en su restaurante me transporta a Perú, y me trae sentimientos de familia y cultura a travez de cada bocado de sus platillos Peruanos. Hasta lagrimas solté al comer el seco de pato por los recuerdos de mi abuelita. Le doy mil gracias por su talento, y que 2012 le continúe a traer éxito. 

Chef Stan Ota, Takami
A delightful experience of wonderful dishes, unique presentation, and a fine dinning atmosphere. With my recent work location transfer to Downtown, I will surely be frequenting Takami more often… That carpaccio is calling my name!

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mfkfisher.jpgEating alone is a trying thing for some people, writing cooking and eating off as products of a banal bodily necessity. I love to eat and cook alone, using the kitchen as an improvisational laboratory to experiment with recipe ideas, flavor combinations, and cooking techniques. MFK Fisher, a witty food writer with a fluid, deeply expressive writing style bursting with gastronomic knowledge, shared my passion. She was one of the best food writers out there, blurring the lines between the genres of food anthropology, ecology, travel literature, and cooking.

Simply put, she made being a foodie cool long before it was fashionable. Her great strength as a writer is her ability to drag you into her prose to taste, smell, and feel your way through her experiences in and around the kitchen. Mary Frances was not afraid to dine alone, in fact she loved it, and one short and sweet chapter of her An Alphabet for Gourmets sums up her point of view. “It took me several years of such periods of being alone to learn how to care for myself, at least at table. I came to believe that since nobody else dared feed me as I wished to be fed. I must do it myself, and with as much aplomb as I could muster.” In regards to eating alone, I have taken a page from her book, and as a result treat myself to lavish meals regularly.

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This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories" published by Villard.

weekend_update_b.jpgWe had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself.

One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.

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