Oscar night approaches and something is missing. My kids. The nest is empty, and 364 days a year I’m fine with that. But not on Oscar night. Let me tell you why. Growing up, kids are like natural hostages. Until they get their driver’s license, they’re pretty much always there. And the night of the Academy Awards was no different. On that night in March (now February) my children, the two cats and I would gather in front of our living room or sometimes bedroom TV and take it all in. This was before we all had wide screens that now make the event seem like a private Oscar party. It was just a modest little TV. We’d sit in rapt attention and watch what to me was the most exciting part. Everyone’s magical entrance. The Red Carpet.
As each stunning actress made her way through the gauntlet of tedious interviews, I would ooh and aah at how beautiful she was. That’s when my kids would turn to me, me sitting there in my dirty sweats, my unkempt hair tied above in a twisted knot, no makeup, and assure me that I was even prettier!!! I’m not kidding. No matter who the actress was or how young and beautiful, my kids would yell, in unison, that I was MUCH prettier. “You’re MUCH prettier than her, mom!!” Don’t get me wrong, I know they were humoring me, I’m not delusional, but I bought it. And, I looked forward to it every year.
I grew up in Beverly Hills, but on the wrong side of the tracks, south of Wilshire. It wasn’t where the stars lived, even though our house was located only a half mile from the Hilton, the current site of the Oscar Nominees Luncheon and the Governor’s Ball. My father was a B-movie producer, but most people might grade his movies with a D. He was a joyful, glass-completely-full kind of guy, who was thankful for everyday of his life on this planet.


Sara Foster's Southern Kitchen
When I was a younger man, I was quite the spendthrift blowing through tons of money that I didn't actually have. Like many others of my generation, I lived way beyond my means on a series of credit cards that I would repeatedly max out the credit limits on and end up slaving away, some times for years, in an effort to pay off. When I first moved to New York in the late 80s to attend the NYU publishing program, I did so with visions of Jay McInerney's Bright Lights, Big City dancing in my head. I eventually landed a job at Random House and wasn't daunted by the fact that it only paid $13,000 a year because in my mind I was on my way to living the life I had always dreamt about.
“All that matters is that you jump.”